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Australia's The Secret Life of Us Makes No Secret of Lesbian Relationships

Chloe (Nina Liu) Miranda (Abi Tucker) Miranda and Chloe Mrianda and Chloe

The most remarkable thing about the relationship between Chloe and Miranda on the hit Australian drama The Secret Life Of Us is not that they are two young women of different racial backgrounds who fall in love. But rather that this new lesbian relationship has been assimilated so inconspicuously into this highly contemporary TV show.

The Secret Life Of Us (TSLOU) is an hour-long drama series which is currently aired weekly in Australia, New Zealand, the UK, and some other European countries. The show is currently in it's 3rd season in it's homeland, and follows the lives of a group of flat-sharing 20-somethings living in the Melbourne suburb of St. Kilda.

Last year's second season saw the show cement a reputation for compulsory weekly viewing, with it's gritty and honest storylines dealing equally with both the interpersonal and social responsibilities of it's characters, and their personal quests for love and happiness. Adding to it's appeal, each episode of the show is book-ended by some contemplative narration from two of the show's leading stars (Samuel Johnson and Deborah Mailman)--a nice touch that gives each episode a "Dear Diary" feel that reminds us that this is not just a drama filled with characters, but a show that aims to reflect everyone's personal journey.

But for all the "learning life's lessons"-style introspection, TSLOU still manages to avoid preaching to it's audience. And whether it's a frank discussion about sex, or a liberal scene of drug use in a night club, the program aims to deliver a relatively raw snapshot of modern life, leaving the moral choices to it's viewers.

The pay-off for gay and lesbian viewers of course, is that the show is not afraid to depict cultural diversity. One of the show's writers, Judi McCrossin, is an out lesbian, and same-sex relationships have been an integral part of TSLOU's storylines almost from the very beginning. During season one, Alex (Claudia Karvan) kissed guest character Pandora (Susie Porter), in a one-off episode that left Alex resolved to the fact that, while Pandora was not the right person for her, she did not object to the notion of being in love with another girl. Her best friend, and another full-time character Gabrielle (Sybilla Budd) agreed, revealing that her back-history had also included a girlfriend.

But until now, the lion's share of same-sex stories on the show have dealt with regular male characters, Simon (David Redinnick) and Richie (Spencer McLaren), who's long process of coming out during Season 2 ultimately led him to break up with his girlfriend Miranda (Abi Tucker).

When Season 3 commenced, advertisements for the show promised a brand new, and somewhat unexpected same-sex storyline--this time dealing with a lesbian relationship. Enter Chloe, a new character played by actress Nina Liu, a Chinese-Australian. After initially being introduced as a guest, Chloe has now become a regular cast member, as well the first Asian lesbian character to ever appear in an Australian TV series.

Meanwhile, regular character Miranda (Abi Tucker) had only ever identified as straight by the time Season 3 commenced. But her long-suffering relationship with her now gay-identifying ex-boyfriend Richie, may have opened her eyes somewhat to her own relationship choices.

Having said that, would it be fair to say Miranda's new direction is a case of "My boyfriend turned gay, so I'll turn gay too"? Fortunately, no. Despite the fact that Miranda had never previously indicated she could be attracted to a woman, Miranda's budding relationship with Chloe has been dealt with as a completely independent storyline to the one involving her ex-boyfriend.

And so it is that we have watched Miranda meet, become friends with, and finally fall in love with a really wonderful new person, who has arrived in her life just when she needed it. It just so happens that that person is a girl named Chloe--a confident, smart, and charming young lesbian, who herself is longing to finally find someone who won't get cold feet and back out of a relationship.

Predictably, since Miranda has never dated a girl before, we follow her inner turmoil over Chloe. But this plays very well against Chloe's own sense of caution about Miranda. Chloe reveals early in the season that she has never been able to remain friends with any of her past girlfriends. And while she likes Miranda, she is naturally wary of falling for another girl who may only end up hurting her by being unable to remain in a same-sex relationship for the long term. This caution actually forces Miranda to take the initiative in order to prove that her feelings are real.

Miranda is the one in new territory here. But rather than wooing or influencing the less experienced girl over to the "gay-side", Chloe's own pragmatism means Miranda must rise up and take responsibility for her own feelings, if she really wants something to happen.

This theme flies in the face of your typical "lesbian seductress" cliche, or the notion that the lesbian is always the relationship-instigator if the other woman is new to lesbianism, and is really what gives Miranda and Chloe's relationship a sense of gravitas. Neither girl is dominant.

Both the "straight" girl and the lesbian have their own separate, but reciprocal, sets of entrenched fears and longings. But if they can face their feelings for one another and meet each other half-way, perhaps they can give each other the stability they each need in their lives.

Another important point is that the other characters on the show have remained almost completely oblivious to Miranda's concerns about dating another girl. In fact, other than Miranda's best friend Kelly (Deborah Mailman), who, like a typically giggly friend, is curious to hear about Miranda's new love life, no one raises as much as an eyebrow about the fact that Miranda's new lover is a girl.

Is this realistic? Well, unfortunately, not everyone has such exceptional friends in the real world. But in portraying things this way, The Secret Life Of Us once again bypasses any need to preach about what's right and wrong, or to make antagonists out of the surrounding characters.

Inner-city Melbourne is presented as a post-modern culture, and a place in which homosexuality is no longer a shock to anyone. (In reality, Melbourne has been described by some observers as one of the gayest cities in the world.) And the show sticks to it's matter-of-fact feel, allowing us to concentrate on the real issue facing Miranda--which is not whether other people accept her, but whether or not she can quit worrying so much and accept herself.

As time goes by though, both Miranda and Chloe's fears begin to evaporate. Episode 7 is something of a turning point, with Miranda still cagey about public displays of affection, as revealed by the following exchange:

(Miranda and Chloe are at a local bar, planning to see a movie together, when Chloe gets out a piece of paper with a list of films she hasn't seen yet)
Chloe: "These are the films I'd like to see."
Miranda: "I haven't seen any of them, so I don't mind."
Chloe (giggling): "So I have to choose now? OK..."
(Chloe touches Miranda's leg. Miranda looks down, and averts her glance slightly. Chloe notices.)
Chloe (serious and to herself): "Why am I always falling for straight girls."
Miranda: "I'm sorry. I'm sorry"
Chloe (smiling): "Maybe we can hold hands in the movies. It'll be dark in there."
Miranda (giggling): "Ok. Gimme a break."

Their ability to laugh off their fears leads to the next big development in their relationship, where (in the same episode) Miranda and Chloe are later shown in bed together, and then seen again (post-sex), with Miranda giggling with amazement about how nice the experience was. As she later tells best-friend, Kelly (Deborah Mailman), who is predictably "all ears"..."I'm really freaked out by it. But I just want to see her again."

The producers of the show have also, perhaps wisely, avoided labeling Miranda's sexuality. It's not until Episode 11 that Miranda and Chloe finally face the issue and even use the word "lesbian," at which point the two are laying on a bed, and Chloe quizzes Miranda about why she would be ashamed to call herself a lesbian:

Miranda: "Because I'm not one."
Chloe: "What makes a lesbian?"
Miranda: "Someone who's only ever been with women."
Chloe (intrigued): "Oh? Well then I'm not a lesbian. I've been with men."
Miranda (thoughtful): "I'm heterosexual." (looks at Chloe) "I just fell in love with a woman."
Chloe: "And I'm glad it's me."

It's just the sort of conversation that will resonate with anyone who finds it difficult to define themselves, or who hates labels in general.

However by the time we have reached this point in the season, an even bigger issue is already waiting in the wings. Sadly, actress Abi Tucker had always planned to leave the show sometime during the Season 3, and her character of Miranda departs in Episode 12. In the context of the show, Miranda is a budding actress, and she has decided to go to America for an indefinite amount of time, in order to look for acting work. (In real life, Abi Tucker is leaving the show for a not too dissimilar reason--to broaden her acting and her singing career.)

Fortunately, Miranda's departure from The Secret Life Of Us is handled with the same exceptional care as the rest of her story this season. Seemingly aware that Miranda's relationship with Chloe is both a deeply special experience for the characters, and a rare moment for Australian TV, the producers have kept their love true until the bitter end, and the departure was anything but sudden.

Miranda even tries to convince Chloe to either come with her to the USA, or for them to remain as girlfriends and maintain a long distance relationship. But Chloe knows this will never work, and when she tells Miranda the truth, they decide to spend one last night together, before a truly emotional separation scene the next morning when they exchange a last kiss, a last hug, Chloe cries, and Miranda leaves for the airport.

One minor quibble--although they have appeared in nearly every episode, Miranda and Chloe have never quite been the dominating thread within an episode. That is to say, their continuing story has always had less screen time each week than some other sub-story involving one or more of the other characters in the show. Perhaps this reflects the limit of The Secret Life of Us's willingness to feature the lesbians. Or, perhaps more likely it's simply due to Abi Tucker and Nina Liu taking second billing to some of the other, higher-profile (in Australia) actors on the show (such as Claudia Karvan). Whatever the cause, it would have been nice to see even more of Miranda and Chloe, not to mention a truly Miranda/Chloe-centric episode. But who's biased? ;)

Nevertheless, we saw quite a lot. And despite another sad ending to a lesbian relationship, the relationship itself remained completely true, and was only broken apart by one of life's "hard choices". Chloe remains gay and very much present on the show, while Miranda has turned over a new leaf, and may or may not return in the future (a lot of that will depend on whether The Secret Life Of Us continues for a fourth season in 2004).

Their story has also broken new ground for Australian TV--The Secret Life Of Us has now become one of a handful of Australian shows to depict (even briefly) a lesbian sex scene, and the first Australian show to feature a gay female character of Asian decent. What's more, it's certainly the first Australian show to feature such a long-running same sex relationship between two women, and certainly one of the most positive depictions of such a relationship anywhere in the world.

And yet, in the end, the Chloe/Miranda story remains wonderful merely for it's simplicity--two young women whose paths crossed, and who found a connection with each other. That's often exactly how love, regardless of our sexuality, happens in real life. And it makes you wonder why so many other TV shows still labor under the misapprehension that people expect lesbian relationships to be weighed down by angst, or sugar-coated with voyeuristic fantasy, or treated any differently in general to any other relationships.

Sarah Bennet, May 2003

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

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